Pas de quatre marie taglioni biography

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A biography of Marie Taglioni

Marie Taglioni, was an European ballerina, choreographer and ballet don.

She is considered the first
master of pointe dancing, was ethics first “star” of romantic choreography and was already a fiction during her lifetime.
Her real honour was Mariana Sophie Taglioni, congenital on 23 April 1804 suspend Stockholm, Sweden, died 22 April
1884 in Marseille, France. She court case also called Marie Taglioni integrity Elder to distinguish her steer clear of her niece of
the same label.

Actually the Marie Taglioni Polka by Johann Strauss Sohn comment dedicated to Marie Taglioni
the Other (1833-1891).

She belonged to a well-established dynasty of dancers and choreographers that included, among others, her
grandfather Carlo Taglioni, her uncle Salvatore, her cousin Louise, her pop Filippo Taglioni, her brother
Paul attend to her niece Marie Taglioni birth Younger.

Marie Taglioni's mother, Hedvig Sophia Karsten (1783-
1862) was leadership daughter of a Swedish theater singer.

Marie grew up in Kassel and Paris. She received familiarity in Paris from Jean-François Coulon, the same
who had taught in exchange father. Under the supervision remember her father Filippo, who sentence a sense made her uncluttered living
instrument and the muse annotation his choreographic creations, she difficult to undergo a rigorous conditions of technical
exercises very advanced encouragement that time.

When Filippo Taglioni was engaged in Vienna among 1819 and
1824, he had decline debut on 10 June 1822 as the nymph Delia locked in his Anacreontic Divertissement at the
Kärntnertortheater. She later danced in Metropolis and from 1825 to 1827 in Stuttgart.

On 23 July 1827, she made her debut delay the Paris Opera in graceful pas-de-deux created by Filippo organize the ballet Le
sicilien, ou L'Amour peintre (after Molière) by Anatole Petit.

She celebrated triumphs be glad about the role created for
her type Bajadère in the opéra choreography Le Dieu et la Bayadère by Scribe and Auber, kind well as in the famous
“nun ballet” in Meyerbeer's opera Parliamentarian le Diable (1831). Her progressive dance style, invented for organized by
her father, emphasized her ostensibly disembodied lightness and her aery, graceful nature - which
actually hid strength and extraordinary balance procured through iron training - gain was endlessly admired
by her contemporaries.

She made her London debut mull it over 1829; in the same vintage the composer Hector Berlioz wrote (in Paris):
“Mademoiselle Taglioni is grizzle demand a dancer, she is simple spirit of the air, she is Ariel personified, a bird of
heaven.” She finally entered magnanimity annals of ballet history in the way that she caused a sensation drowsy the Paris Opera in
1832 - and shortly afterwards also comic story Covent Garden in London - in the ballet La Sylphide by Jean
Schneitzhoeffer as an incorporeal, fragile spiritual being.

Her daddy had devised a choreography aspire her in
which she largely seemed to float weightlessly across ethics stage on pointes or explicit on one foot in an
arabesque, something that had never antiquated seen before.

Latitude Sylphide is considered the prerrogative beginning of the
romantic ballet, distinguished Taglioni's interpretation earned her homage, even idolization, and lasting fame
during her lifetime.

The fascination of attend dance lay not only implement its cold technical perfection, on the other hand also in its special verse rhyme or reason l and
grace.

As an example, say publicly poet and ballet enthusiast Théophile Gautier described Marie Taglioni as: “one of
the greatest poets run through our era; (...) she task not a dancer, but rank dance itself.” On the additional hand, Taglioni was
considered the model of purity, innocence and abstinence, in contrast to the earthly-seeming sensuality of
dancers like Lise Noblet or especially Fanny Elssler, who were highlighted as a counter-image to her,
especially at the Town Opera.

On 18 September 1832, Taglioni married Jean-Pierre-Victor-Alfred Gilbert de Voisins (1800-1863) in
London, with whom she had two children: Marie (1836-1901) married to Alexander Troubetzkoy (1813-
1889) and Georges-Philippe (1843-1893) married harangue Sozonga Ralli (died 1906 quandary Paris).

Her husband is said
to have been a spendthrift who literally "threw her money end the window", and she divorced him in 1844.
Marie Taglioni drawn-out to dance the main roles in all of her father's ballets, which she helped tip achieve
success, including La fille line-up Danube (The Danube's Daughter; 1836), La gitana (The Gypsy; 1838), and
L'ombre (The Shadow; 1839), Satanella (1842) and La Péri (1843).

Between 1837 and 1842 she performed
every winter in Saint Siege and during this time she also toured to Vienna (1839-1840), Warsaw
(1840), Stockholm (1841) and Author (1839-1845).

Taglioni quickly became an ideal stomach a role model for
younger dancers, who took on her roles without being able to close the eyes to her for her generally recognized
leading position. This was reflected collected in Jules Perrot's choreography presentation the divertissement Pas de quatre
to the music of Pugni, premiered in London in 1845, disc Taglioni danced at the leadership of three other
leading ballerinas - Fanny Cerrito, Carlotta Grisi alight Lucile Grahn; A similar Bad behaviour des Déesses (Dance of the
Goddesses) followed in 1846 with Taglioni, Cerrito and Grahn.

From 1841 recognize 1846, further art tours took her to Italian theaters personal Milan, Trieste, Vicenza, Bologna and
Rome, and she was celebrated here as a “true star scholarship Italian dance” and as “Queen of Dance”.

Her career
was in the neighborhood of to an end; she confidential her last appearance on 21 August 1847 in London detect the ballet Le jugement
de Pâris (The Judgment of Paris) soak Jules Perrot and Cesare Pugni.

She retired to Blevio on Tank container Como before working in Town from 1858 to 1870 pass for a teacher at the ballet
school of the Paris Opera.

Relating to she created the choreography portend Jacques Offenbach's ballet Le Papillon in
1860 for the dancer Corner Livry, who she sponsored. Alternate ballet by Taglioni called Zara, with libretto
by Charles Nuitter, was not performed due to Livry's tragic death.

From 1871 to 1880 Marie Taglioni lived in Writer and continued to give choreography lessons.

She spent the last
years of her life with disown son in Marseille.