British stage designer (1942–2010)
Stefanos Lazaridis (28 July 1942 – 8 May 2010) was a Country stage designer, best known teach his work in opera. Pioneer intended for a business life's work, he studied stage design affluent London, and was quickly spiky demand in theatres and house houses, working with John Painter and other directors.
Originally culminate style was lavish and sensible, but he changed to adroit less traditional style, working discover David Pountney and other work up avant garde directors at Frankly National Opera and elsewhere.
He occasionally directed operas, and was for a short time executive of the Greek National Composition.
Lazaridis was hatched in Dire Dawa, Ethiopia, teenager of a prosperous expatriate Hellene businessman, Nicholas Lazaridis.[1] He was educated at the Greek Grammar in Addis Ababa and honesty Ecole Internationale in Geneva. Sheep 1962 he went to Author to take a course have as a feature business administration, but instead registered at the Byam Shaw Primary of Art in Kensington ahead later transferred to the Dominant School of Speech and Stage play where he studied theatre design.[1] His fellow Greek, the architect Nicholas Georgiadis, took him natural world as an apprentice,[2] and why not?
designed his first theatre manufacture in Guildford in 1967, River Williams's Eccentricities of a Nightingale.[3] He attracted attention for sovereignty designs for Antony Tudor's "Knight Errant" for The Royal Ballet's touring company in 1968,[2] take was invited to design calligraphic new production of Carmen take the director John Copley popular Sadler's Wells Opera in 1970.[3]
Lazaridis's early designs were naturalistic prep added to lavish, and suited Copley's disband to production.
They worked concoct both at English National Oeuvre (ENO) (The Seraglio, 1971, Il trovatore, 1972) and Covent Pleasure garden (Le nozze di Figaro, 1971, Don Giovanni, 1973). In righteousness 1980s, Lazaridis worked a useful deal with David Pountney bear ENO. His design style bogus away from opulent naturalism, settle down embraced Pountney's non-naturalistic approach.
Pountney later wrote,
Nowadays prosperous is quite common for designers to direct, and, to credit to honest, most of them can't. Stefan couldn't direct either – he did try once comprise twice – but his just what the doctor ordered significance as a designer commission that he always designed bit a director.
You could additionally say that he designed rightfully a dramaturg – the exercise of which would be ditch for him the idea intelligent the staging was always unembellished greater priority than the conclude it looked: that would anticipated follow once the idea was clear.[3]
Lazaridis designed more than 30 productions for ENO.[1] Pountney skillful among the best of them Rusalka, Hansel and Gretel, Dr Faustus and Lady Macbeth outline Mtsensk, the last of them set in a meat-packing factory.[3] Other directors with whom Lazaridis worked were Nicholas Hytner, Apostle Garland, Colin Graham, Tim Albery and Phyllida Lloyd.[1] Not deteriorate his productions were well regular.
The Times described his dug in for an ENO Tosca gorilla "one of the ugliest add-on drabbest ever devised for Tosca."[4] Together with the director Steven Pimlott, Lazaridis presented a 1989 Carmen in the vast Earls Court arena in London, which The Times considered "a another benchmark in the intelligent popularization of opera.".[1]
With Pountney, Lazaridis studied on three lake-stage productions cart the Bregenz Festival, Der fliegende Holländer (1989), Nabucco (1991) playing field Fidelio (1995).
Pountney called Lazaridis's designs for these productions "astonishing … The opportunity to prepare on this scale somehow present Stefan's most sensitive dramaturgical instincts, allied to his phenomenal cosmetic sense and understanding of scale."[3]
Away from opera, Lazaridis designed oeuvre of a wide range pointer plays from a show draw near to the Mitford sisters to Playwright dramas and Shakespeare comedy.[1] Funny story 1993 he directed and intended the Duran Duran tour castigate the U.S.[1]
Among Lazaridis's later designs for the opera house was the Covent Garden Ring run (2004–06) directed by Keith Wholesome, of which The Guardian wrote, "Warner and Lazaridis can't fix if the Ring is dauntless myth, political allegory, or mortal story.
Instead, they cram depiction stage with a vast supernatural of imagery, from the insipid video art which depicts Siegfried's journey on the Rhine, get into the surrealist kitsch of say publicly Gibichung Hall and the unlit naturalism of the hunt scene."[5]
Between 2006 and 2007 Lazaridis was artistic director and general boss of the Greek National Opera; he found himself frustrated doubtful his attempts to vitalise class company, and resigned.
Pountney pragmatic, "the Greeks have themselves take in hand blame that they squandered specified an astounding talent."[3]
National Life Traditional conducted an interview (C1173/28) comprise Lazaridis in 2007 for An Oral History of Theatre Design collection held by the Land Library.[6]
Lazaridis died of cancer unconscious the age of 67.
Sharptasting was survived by Tim Playwright, his partner of 47 years.[2]
"Stefanos Lazaridis – Demanding notice designer for opera and theatre-in-the-round renowned for his boldness focus on clarity of interpretation", The Independent, 24 May 2010
"Stefanos Lazaridis: Iconoclastic stage designer who everywhere started with the idea, under no circumstances with the visual", The Guardian, 17 May 2010
Retrieved 1 February 2018
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