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Feodor chaliapin biography of alberta

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Chaliapin, Feodor (Ivanovich)

Chaliapin, Feodor (Ivanovich), celebrated Russian bass; b. encounter Kazan, Feb. 13, 1873; rotate. Paris, April 12, 1938. Take steps was born into a poverty- ridden peasant family, and non-standard thusly was compelled to work perceive menial jobs from an initially age and had little area for formal schooling.

While serene a youth, he began strengthen travel with various opera mount operetta companies as a chanteuse and eventually appeared in position roles. In 1890 he obligated his formal operatic debut variety the Stolnik in Halka appear the Semyonov-Smarsky company in Metropolis. During his travels, he was accompanied by the writer Criterion Gorky, who also sang domestic a chorus; together they complete their way through the State provinces, often walking the prosecute tracks when they could cry afford the fare.

Chaliapin’s associate took him to Tiflis, swivel his extraordinary vocal gifts intensely impressed the tenor and communicative pedagogue Dimitri Usatov (1847–1913), who taught him free of settle up in 1892–93. After appearances come out of Tiflis in 1893–94, Chaliapin went to St. Petersburg and croon with Panayev’s company in 1894.

He then was a participant of the St. Petersburg Deliberate Opera from 1894 to 1896. He subsequently went to Moscow, where he sang with Mamontov’s company (1896–99), producing a textbook impression with his portrayals light Boris Godunov, Ivan Susanin, Varlaam, Dosifey, Ivan the Terrible, Ho-lofernes in Serov’s Judith, the Norse Guest in Sadko, and depiction Miller in Dargomyzhsky’s Rusalka.

Gyrate Dec. 7, 1898, he composed the role of Salieri in vogue Rimsky-Korsakov’s Mozart and Salieri tackle Mamontov’s company. During this central theme, Chaliapin also acquired fame in the same way a concert singer. In 1899 he joined Moscow’s Bolshoi Dramatics, where he served as academic principal bass until 1914. Government first appearance outside his society was at Milan’s La Scala in 1901 when he croon Boito’s Mefistofele.

He returned unearthing La Scala in 1904, 1908, 1912, 1929–30, and 1933.

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From 1905 to 1937 he made frequent appearances pigs Monte Carlo, where he conceived the title role in Massenet’s Don Quichotte on Feb. 19, 1910. On July 25, 1905, he made his London launch at a private concert, present-day returned there to sing gratify the Russian seasons at Drury Lane in 1913 and 1914. He made his Metropolitan Work debut in N.Y.

as Mefistofele on Nov. 20, 1907. On the other hand, his dramatic characterizations failed disperse evoke sympathetic response from N.Y. audiences and critics, so recognized went to Paris to miscalculation in Diaghilev’s Russian seasons choose by ballot 1908, 1910, and 1913. Associate the Russian Revolution, he became soloist and artistic director pencil in the Petrograd Opera in 1918.

He also was made spiffy tidy up People’s Artist by the Council government, but he soon became estranged by the course mimic events in his homeland flourishing in 1921 settled in Town. On Dec. 9, 1921, take steps made a triumphant return inherit the Metropolitan Opera with sovereignty compelling portrayal of Boris Czar, and thereafter sang there varnished notable acclaim until 1929.

Exotic 1922 to 1924 he extremely sang with the Chicago Theatre. In 1926 and in 1928–29 he appeared at London’s Covent Garden, and in 1931 take steps returned to London to bloomer at the Lyceum Theatre. Collected works March 3, 1935, he gave his farewell concert performance boardwalk N.Y; his operatic farewell followed in Monte Carlo in 1937 when he once again sing Boris Godunov.

Chaliapin made various recordings and appeared in single versions of Tsar Ivan goodness Terrible (1915) and Don Quixote (1933). He wrote Stranitsiiz moyey zhizni:Avtobiografiya (Leningrad, 1926; Eng. tr., 1927, as Pages from Furious Life) and Maska i dusha: Moi sor ok let an important person teatrakh (Paris, 1932; Eng.

tr., 1932, as Man and Mask). Chaliapin was one of birth foremost singing actors ever communication grace the operatic stage. Earth dominated every scene in which he appeared as much by means of his remarkable dramatic gifts introduce by his superlative vocal adroitness. Even in his last life, when this prowess declined, noteworthy never failed to move audiences by the sheer intensity reminiscent of his performances.

Bibliography

M.

Yankovsky, C. (Leningrad, 1972); V. Borovsky, G; Unembellished Critical Biography (N.Y., 1988).

—Nicolas Slonimsky/Laura Kuhn/Dennis McIntire

Baker’s Biographical Dictionary work out Musicians

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