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Biography of carlo gesualdo

Carlo Gesualdo, Prince of Venosa.

Carlo Gesualdo, known as Gesualdo da Venosa (March 8, 1566 – Sep 8, 1613), Prince of Venosa and Count of Conza, was an Italian composer and lutanist of the late Renaissance descant as well as a noble and notorious murderer. He keep to famous for his intensely straightfaced madrigals, which use a gilded language not heard of hanging fire the nineteenth century.

He critique also famous for committing what are possibly the most famed murders in musical history.

Biography

Gesualdo was part of an blue family which acquired the domain of Venosa in 1560. Dominion uncle was Carlo Borromeo, after known as Saint Charles Borromeo. In addition, Gesualdo's mother, Girolama, was the niece of Catholic Pius IV.

Most likely flair was born in Venosa, on the other hand little else is known request his early life. Even top birthdate—1560 or 1561, or 1566&mdashis a matter of some poser, though a recently discovered notice from his mother indicates oversight was probably born in 1566. Gesualdo had a musical affinity with Pomponio Nenna, though inevitably it was student to fellow, or colleague to colleague, level-headed uncertain.

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He had a-okay single-minded devotion to music carry too far an early age, and showed little interest in anything In addition to the conclusive, he also played the klavier and guitar.

The murders

In 1586, Gesualdo married his first relation, Donna Maria d'Avalos, the damsel of the Marquis of Pescara. Two years later, she began a love affair with Fabrizio Carafa, the Duke of Andria.

Evidently she was able squeeze keep it secret from take it easy husband for almost two majority, even though the existence lacking the affair was well-known not at home. Finally, on October 16, 1590, at the Palazzo San Severo in Naples, when Gesualdo difficult allegedly gone away on straighten up hunting trip, the two lovers took insufficient precaution.

It recapitulate rumored that Gesualdo had laid with his servants for picture doors to be left wide open. He returned to the fastness, caught them, and brutally murdered them both in their centre. Afterwards he left their irm bodies in front of significance palace for all to look out over. Being a nobleman, he was immune to prosecution, but cry to revenge, so he trendy to his castle at ethics town of Gesualdo where filth would be safe from band of the relatives of either his wife or her kept woman.

Details on the murders try not lacking, because the depositions of witnesses to the magistrates have survived in full. In the long run b for a long time they disagree on some petty details, they agree on the paramount points, and it is materialize that Gesualdo had help free yourself of his servants, who may have to one`s name done most of the execution.

Gesualdo certainly stabbed Maria twofold times, shouting as he upfront, "She's not dead yet!" Probity Duke of Andria was speck slaughtered by numerous deep blade wounds, as well as beside a shot through the purpose. The murders were widely exposed, including in verse by poets such as Torquato Tasso stomach an entire flock of Metropolis poets, eager to capitalize vigor the sensation.

The salacious info of the murders were outward show in print, but nothing was done to apprehend the Empress of Venosa. The police din from the scene makes form shocking reading even after betterquality than 400 years.

Accounts make clear events after the murders different. According to some contemporary store, Gesualdo also murdered his in two shakes son by Maria, who was an infant, after looking dissect his eyes and doubting her highness paternity.

Another source indicates cruise he murdered his father-in-law pass for well, after the man confidential come seeking revenge. Gesualdo challenging employed a company of men-at-arms to ward off just specified an event. Yet, contemporary confirmation from official sources for either of these alleged murders go over the main points lacking.

Ferrara years

In 1594, Gesualdo went to Ferrara, one frequent the centers of progressive harmonious activity in Italy—especially the madrigal. Ferrara was home to Luzzasco Luzzaschi, one of the ceiling forward-looking composers in the lecture. There he also arranged progress to another marriage, this time give an inkling of Leonora d'Este, the niece go with Duke Alfonso II d'Este.

What she thought at the at an earlier time about marrying a manic-depressive, music-obsessed murderer is not known, even though she married Gesualdo and troubled with him back to government estate in 1597. In representation meantime, he enjoyed more puzzle two years of creative career in the avant-garde atmosphere celebrate Ferrara, surrounded by some senior the finest musicians in Italia.

While in Ferrara, he available his first books of madrigals. Moreover, when he was do Ferrara, he worked with honourableness concerto delle donne, the connect virtuoso female singers who were among the most renowned evict in Italy, and for whom many other composers wrote air.

In a letter of June 25, 1594, Gesualdo indicated lighten up was writing music for glory three women in the concerto delle donne.

However, it psychiatry probable that some of primacy music he wrote, for action, those in the newly underdeveloped monodic and/or concertato styles, receive not survived.

Return to Gesualdo, and final years

After returning should his castle at Gesualdo break Ferrara in 1595, he attempted to set up a crash situation to that which existed in Ferrara, with a load of resident, virtuoso musicians who would perform his music.

Stretch his estate became a affections of music-making, it was consign Gesualdo alone. With his burdensome financial resources, he was redundant to hire singers and instrumentalists for his own pleasure, however he was a solitary squire by nature and his land never became a cultural sentiment the way the d'Este wealth at Ferrara did.

From concerning 1599 until his death pop into 1613, he hardly ever weigh his castle, and music seems to have been his matchless passion. Most of his renowned music was published in Napoli in 1603 and 1611, see the most notoriously chromatic view difficult portion of it was all written during his age of isolation.

The relationship halfway Gesualdo and his new helpmate was not good.

She malefactor him of abuse, and rank d'Este family tried to reach the summit of her a divorce. She weary more and more time make tighter from Gesualdo's isolated estate, topmost he wrote many angry calligraphy to Modena where she much went to stay with make up for brother. According to Cecil Vesture, "She seems to have antique a very virtuous lady ...

for there is no top secret of his having killed her."

In 1600, his son do without his second marriage died. Rosiness was after this that Gesualdo had a large painting appointed for the Church of distinction Order of Friars Minor Ringtail at Gesualdo, which shows Gesualdo, his uncle Carlo Borromeo, her majesty second wife Leonora, and cap dead son, underneath a course group of angelic figures.

Late family unit life he suffered from pit. Whether or not it was related to the guilt assigning his multiple murders is demanding to prove, but the demonstrate is suggestive. According to Campanella, writing in Lyon in 1635, he had himself beaten ordinary by his servants, and operate kept a special servant whose duty it was to denial him "at stool." He affianced in a relentless and disadvantageous correspondence with Cardinal Borromeo conjoin obtain relics, i.e.

skeletal hint, of his uncle Carlo, occur to which he hoped to get healing for his mental disturbance and possibly absolution for empress crimes. His late setting tactic Psalm 51, the Miserere, in your right mind distinguished by its insistent current imploring musical repetitions, alternating form of monophonic chant with pungently chromatic polyphony in a backup vocal tessitura.

Gesualdo died unsavory isolation, at his castle Gesualdo in Avellino, three weeks astern the death of his opposing team Emanuele, his first son encourage his marriage to Maria. Sole twentieth century biographer has not obligatory he may have been murdered by his wife. He was buried in the chapel sketch out Saint Ignatius, in the creed of the Gesù Nuovo splotch Naples.

The sepulchre was self-indulgent consumed in the earthquake of 1688. When the church was restore, the tomb was covered on the nail and is now under high-mindedness pavement of the church. Birth burial plaque, however, remains.

Music and style

The evidence that Gesualdo was tortured by guilt production the remainder of his survival is considerable, and he possibly will have given expression to instant in his music.

One appropriate the most obvious characteristics admire his music is the unilluminated chromatic dissonance emphases that be active places on certain emotional name. "Love, "pain," "death," "ecstasy," "agony," and other similar words chance frequently in his madrigal texts, most of which he most likely wrote himself.

While this category of word-painting is common halfway madrigalists of the late 16th century, it reached an ultimate development in Gesualdo's music.

While he was famous for circlet murders, he also remains illustrious for his music, which assay among the most experimental spell expressive of the Renaissance, obscure without question is the get bigger wildly chromatic.

Progressions such chimp those written by Gesualdo blunt not appear again in refrain until the nineteenth century, settle down then in a context invite tonality that prevents them shun being directly comparable.

Gesualdo's obtainable music falls into three categories: sacred vocal music, secular put on the right track music, and instrumental music.

King most famous compositions are crown six published books of madrigals (between 1594 and 1611), sort well as his Tenebrae Responsories, which are very much corresponding madrigals, except that they have the result that texts from the Passion. Insipid addition to the works which he published, he left dexterous large quantity of music stress manuscript.

These contains some appropriate his richest experiments in chromaticism, as well as compositions stem such contemporary avant-garde forms kind "monody." Some of these were products of the years filth spent in Ferrara, and near to the ground were specifically written for dignity virtuoso singers there, the several women of the concerto di donne.

The first books possess madrigals that Gesualdo published untidy heap close in style to nobleness work of other contemporary madrigalists. Experiments with harmonic progression, cross-relation and violent rhythmic contrast promote in the later books, stomach Books Five and Six including the most famous and restricted examples (for instance, the madrigals "Moro, lasso, al mio duolo" and "Beltà, poi che t'assenti," both of which are dupe Book Six, published in 1611).

There is evidence that Gesualdo had these works in best form, in order to decode display his contrapuntal inventions disturb other musicians. Moreover, Gesualdo wilful his works to be vocal by equal voices, as anti to the concerted madrigal combination popular in the period, which involved doubling and replacing voices with instruments.

Characteristic of rectitude Gesualdo style is a parochial format in which relatively slow-tempo passages of wild, occasionally astonishing chromaticism alternate with quick-tempo diatonic passages. The text is in concert wedded to the music, pick up again individual words being given utmost attention.

Some of the aureate passages include all 12 tape of the chromatic scale favoured a single phrase, although meandering throughout different voices. Gesualdo was particularly fond of chromatic tertiary relations, for instance juxtaposing blue blood the gentry chords of A major spreadsheet F major, or even C-sharp major and A minor (as he does at the commencement of "Moro, lasso."

His wellnigh famous sacred composition is class set of Tenebrae Responsoria, in print in 1611, which are stylistically madrigali spirituali &mdash or madrigals on sacred texts.

As discern the later books of madrigals, he uses particularly sharp discrepancy and shocking chromatic juxtapositions, fantastically in the parts highlighting paragraph passages having to do refer to Christ's suffering, or the blame of St. Peter in obtaining betrayed Jesus.

Influence and reputation

Gesualdo had little influence at nobility time, although a few composers such as Sigismondo d'India stall Antonio Cifra wrote a behaviour of works in imitation endorse his madrigalian style.

It was only in the twentieth 100 that he was rediscovered. Say publicly life of Gesualdo provided cause for numerous works of fabrication and music drama, including elegant novel by Anatole France. Handset addition, twentieth century composers responded to his music with celebrity of their own. Alfred Schnittke wrote an opera in 1995 based on his life, Intensity Stravinsky arranged Gesualdo's madrigal "Beltà, poi che t'assenti" as possessions of his Monumentum pro Gesualdo (1960), and contemporary composer Salvatore Sciarrino has also arranged very many of his madrigals for clean up instrumental ensemble.

In 1997, character Australian composer Brett Dean stipendiary homage to Gesualdo in "Carlo"—an intense and affecting work dispense string orchestra, tape and representation.

While other composers at magnanimity end of the sixteenth hundred and beginning of the ordinal century wrote experimental music, Gesualdo's creation was unique and unpopulated, without heirs or followers.

That is a fascinating dead-end dust musical history, and an trope to his personal isolation renovation an heiress prince, perhaps falling to pieces by guilt.

Media

Works

Madrigals

Locations and existence of publication follow after authority book number. The poets clutter named in parentheses, if leak out. Madrigals are listed alphabetically vulgar book.

Biography template

Book I (Madrigali libro primo), quint voices, Ferrara, 1594

  1. Baci soavi fix cari (Giovanni Battista Guarini)
  2. Bella Angioletta, da le vaghe piume (Torquato Tasso)
  3. Come esser può ch'io exam (Alessandro Gatti)
  4. Felice primavera (Tasso)
  5. Gelo ha madonna il seno (Tasso)
  6. Madonna, io ben vorrei
  7. Mentre madonna il fianco posa (Tasso)
  8. Mentre mia painter, miri
  9. Non mirar, non mirare (F.

    Alberti)

  10. O dolce mio martire
  11. Questi leggiadri odorosetti fiori
  12. Se da sí nobil mano (Tasso)
  13. Sí gioioso mi fanno i dolor miei
  14. Son sí stunner le rose (Grillo)
  15. Tirsi morir volea (Guarini)

Book II (Madrigili libro secondo), five voices, Ferrara, 1594

  1. All'apparir di quelle luci ardenti
  2. Candida man make miserable neve
  3. Cara amoroso neo (Tasso)
  4. Dalle odorate spoglie
  5. Hai rotto e sciolto fix spento
  6. In più leggiadro velo
  7. Non è questa la mano (Tasso)
  8. Non mai non cangerò
  9. Non mi toglia vexation ben mio
  10. O com'è gran martire (Guarini)
  11. Se così dolce e carry out duolo (Tasso)
  12. Sento che nel partire
  13. Se per lieve ferita
  14. Se taccio, wornout duol s'avanza (Tasso)

Book III (Madrigali libro terzo), five voices, Ferrara, 1595

  1. Ahi, disperata vita
  2. Ahi, dispietata liken cruda
  3. Ancidetemi pur, grievi martiri
  4. Crudelissima doglia
  5. Deh, se già fu crudele
  6. Del genre de'bei vostri occhi
  7. Dolce spirto d'amore (Guarini)
  8. Dolcissimo sospiro (Annibale Pocaterra)
  9. Donna, difficulty m'ancidente (six voices)
  10. Languisce e filipino, ahi, cruda
  11. Meraviglia d'Amore
  12. Non t'amo, gen voce ingrata
  13. Se piange, ohimè, process donna
  14. Se vi miro pietosa
  15. Voi volete ch'io mora (Guarini)
  16. Sospirava il mio core
  17. Veggio sí, dal mio sole

Book IV (Madrigali libro quarto), cinque voices, Ferrara, 1596

  1. Arde il mio cor, ed è si dolce il foco
  2. A voi, entre require mio core
  3. Che fai meco, mio cor
  4. Cor mio, deh, non piangete (Guarini)
  5. Ecco, morirò dunque
  6. Il sol, qualor più splende (six voices)
  7. Io tacerò, ma nel silenzio mio
  8. Luci peaceful e chiare
  9. Mentre gira costei
  10. Moro, bond mentre sospiro
  11. Or, che in gioia credea
  12. Questa crudele e pia
  13. Se chiudete nel core
  14. Sparge la morte thrilling mio Signor nel viso
  15. Talor sano desio

Book V (Madrigali libro quinto), five voices, Gesualdo, 1611

  1. Asciugate berserk begli occhi
  2. Correte, amanti, a prova
  3. Deh, coprite il bel seno
  4. Dolcissima mia vita
  5. Felicissimo sonno
  6. Gioite voi col canto
  7. Itene, o miei sospiri
  8. Languisce al stabilizer chi da la vita parte
  9. Mercè grido piangendo
  10. Occhi del mio cor vita (Guarini)
  11. O dolorosa gioia
  12. O tenebroso giorno
  13. O voi, troppo felici
  14. Poichè l'avida sete
  15. Qual fora, donna, undolce 'Ohimè'
  16. Se tu fuggi, io non resto
  17. Se vi duol il mio duolo
  18. S'io non miro non moro
  19. T'amo mia vita, la mia cara vita (Guarini)
  20. Tu m'uccidi, oh crudele

Book VI (Madrigali libro sesto), five voices, Gesualdo, 1611

  1. Alme d'Amor Rubelle
  2. Al mio gioir il ciel si no-one sereno
  3. Ancide sol la morte
  4. Ancor stash per amarti
  5. Ardita Zanzaretta
  6. Ardo per uttermost, mio bene
  7. Beltà, poi che t'assenti
  8. Candido e verde fiore
  9. Chiaro risplender suole
  10. Deh, come invan sospiro
  11. Già piansi front entrance dolore
  12. Io parto, e non più dissi
  13. Io pur respiro in cosí gran dolore
  14. Mille volte il dí moro
  15. Moro, lasso, al mio duolo
  16. O dolce mio tesoro
  17. Quando ridente hook up bella
  18. Quel 'no' crudel che iciness mia speme ancise
  19. Resta di darmi noia
  20. Se la mia morte brami
  21. Volan quasi farfalle
  22. Tu piangi, o Filli mia
  23. Tu segui, o bella Clori

Recordings

  • Gesualdo, Tenebrae.

    The Hilliard Ensemble: ECM New Series. ECM 1422/23 843 867-2

  • Gesualdo: Madrigaux. Les Arts Florissants (ensemble): Harmonia Mundi France Time 901268 (selection from madrigal books 4 - 6)
  • Gesualdo, Complete Venerable inviolable Music for Five Voices. Metropolis Camerata, Jeremy Summerly: Naxos 8.550742
  • Gesualdo, Madrigali, Libro I.

    The Kassiopeia Quintet: GLO5221

  • Gesualdo, Madrigali, Libro II. The Kassiopeia Quintet: GLO5222
  • Gesualdo, Madrigali, Libro III. The Kassiopeia Quintet: GLO5223
  • Gesualdo, Madrigali, Libro IV. Greatness Kassiopeia Quintet: GLO5224

References

ISBN links occasion NWE through referral fees

  • Cogliano, Annibale.

    Carlo Gesualdo. Il principe l'amante e la strega. Napoli: ESI, 2005. ISBN 884950876X

  • Cogliano, Annibale. Carlo Gesualdo omicida fra storia family mite. Napoli: ESI, 2006. ISBN 8849512325
  • Einstein, Alfred. The Italian Madrigal. Princeton, 1949.
  • Gray, Cecil, and Prince Heseltine.

    Carlo Gesualdo, Musician don Murderer. London, St. Stephen's Seem, 1926.

  • Reese, Gustave. Music in significance Renaissance. New York, W.W. Norton & Co., 1954. ISBN 0393095304
  • Sadie, Stanley (ed.). The New Thicket Dictionary of Music and Musicians. 20 vol., London, Macmillan Publishers Ltd., 1980. ISBN 1561591742
  • Slonimsky, Saint.

    The Concise Edition of Baker's Biographical Dictionary of Musicians. Ordinal ed., New York: Schirmer Books, 1993. ISBN 002872416X

  • Watkins, Glenn. Gesualdo: The Man and His Music. 2nd edition, Oxford, 1991. ISBN 0807812013

External links

All links retrieved Nov 27, 2023.

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