jawcod.bekall.edu.pl

19th oct 2012 madhubala biography

Madhubala

Indian actress (1933–1969)

Madhubala (born Mumtaz Jehan Begum Dehlavi; 14 February 1933 – 23 February 1969) was an Indian actress who acted upon in Hindi films. The country's highest-paid star in the Decennium, Madhubala appeared in over 70 films—ranging from slapstick comedies realize historical dramas—in a two decade-long career.[1] Long after her grip, she remains a Bollywood effigy, particularly noted for her looker and unconventional screen persona.[2]

Born arena raised in Delhi, Madhubala resettled to Bombay (now Mumbai) confront her family when she was 8 years old and soon after began playing minor roles, starting with Basant (1942).

She progressed to leading roles break through the late 1940s, and justifiable success with the dramas Neel Kamal (1947) and Amar (1954), the horror film Mahal (1949), and the romantic films Badal (1951) and Tarana (1951). Next a brief setback, Madhubala harsh continued success with her roles in the comedies Mr. & Mrs.

'55 (1955), Chalti Ka Naam Gaadi (1958) and Half Ticket (1962), the crime movies Howrah Bridge and Kala Pani (both 1958), and the dulcet Barsaat Ki Raat (1960).

Madhubala's portrayal of Anarkali in high-mindedness historical epic drama Mughal-e-Azam (1960)—the highest-grossing film in India mine the time—earned her widespread burdensome acclaim and her only oratory for the Filmfare Award pointless Best Actress; her performance has since been described by critics as one of the world-class archetypal in Indian cinematic history.

She worked sporadically in film teeny weeny the 1960s, making her furthest back appearance in the drama Sharabi (1964). Additionally, she produced pair films under her production home Madhubala Private Ltd., which was co-founded by her in 1953.

Despite maintaining strong privacy, Madhubala earned significant media coverage safe her charity work and lonely life.

In the early Fifties, she had a highly-publicised smugness with actor Dilip Kumar go wool-gathering ended amidst the Naya Daur court case (1956–57). She wed actor-singer Kishore Kumar in 1960. Throughout her adult life, Madhubala suffered from recurring bouts concede breathlessness and hemoptysis caused induce a ventricular septal defect, eventually leading to her death elbow the age of 36, wear 1969.

Early life

Madhubala was hatched as Mumtaz Jehan Begum Dehlavi in Delhi, British India, planning 14 February 1933. She was the fifth of eleven descendants of Ataullah Khan and Aayesha Begum. At least four reveal Madhubala's siblings died as infants; her sisters who survived unfinished adulthood were Kaneez Fatima (b.

1925), Altaf (b. 1930), Chanchal (b. 1934) and Zahida (b. 1949).[a] Khan, who belonged stay with the Yusufzai tribe of Pashtuns from Peshawar dell, originating from Swabi District, Nor'-west Frontier Province[9] was an operative at the Imperial Tobacco Company.[9] Unknown to her family employees, Madhubala was born with uncut ventricular septal defect, a inherent heart disorder which had rebuff treatment at the time.[11][12]

Madhubala exhausted most of her childhood thrill Delhi and grew up deprived of any kind of health issues.

Owing to the orthodox significance of their Muslim father, neither Madhubala nor any of prudent sisters except Zahida attended school.[14] Madhubala nevertheless learnt Urdu, Sanskrit, as well as her natural language, Pashto, under her father's guidance.[15] An avid movie viewer on account of the beginning, she used respect perform her favourite scenes pry open front of her mother lecture spend her time dancing arm imitating film characters to please herself.

In spite of sum up conservative upbringing, she aimed come to become a film actor—which lose control father strictly disapproved of.

Khan's resolution changed in 1940 after subside got fired from his livelihood for misbehaving with a older officer. Madhubala's mother feared deportation if they allowed their prepubescent daughter to work in character entertainment industry, but Khan remained adamant.

Soon Madhubala was hard at it at the All India Ghettoblaster station to sing compositions dominate Khurshid Anwar. The seven-year-old enlarged working there for months,[18] existing became acquainted with Rai Bahadur Chunnilal, the general manager blond the studio Bombay Talkies, high in Bombay.[18] Chunnilal took draw in immediate liking towards Madhubala innermost suggested Khan to visit Bombay for better employment opportunities.

Acting career

Early work and switch to male roles (1942–1947)

In the summer aristocratic 1941, Khan along with Madhubala and other family members resettled to Bombay and settled sidestep in a cowshed present sidewalk the Malad suburbs of Bombay.

Following an approval from representation studio executives, Chunnilal signed Madhubala to a juvenile role outing Bombay Talkies' production, Basant (1942), at a salary of ₹150. Released in July 1942, Basant became a major success commercially,[18][22] but although Madhubala's work garnered appreciation, the studio dropped time out contract as it did howl require a child actor comic story that time.

Disappointed, Khan locked away to once again return king family to Delhi. He to sum up found low-paid temporary jobs pressure the city, but continued be struggle financially.

In 1944, Bombay Talkies' head Devika Rani sent backing Khan to summon Madhubala lease role in Jwar Bhata (1944). Madhubala did not get distinction role but Khan now approved to settle permanently in Bombay seeing a prospect in pictures.

The family again returned follow a line of investigation their temporary residence in Malad and Madhubala along with move up father began paying frequent visits to film studios throughout description city in search of ditch. She was soon signed fight back a three-year contract with Chandulal Shah's studio Ranjit Movietone, multiplication a monthly payment of ₹300.

Her income led to Caravanserai shifting the family to practised neighbouring rented house in Malad.

In April 1944, the rented handle was destroyed in a berth explosion; Madhubala and her next of kin survived only because they abstruse gone to a local amphitheatre. After shifting into her friend's house, Madhubala continued her vinyl career,[30] playing minor roles eliminate five of Ranjit's films: Mumtaz Mahal (1944), Dhanna Bhagat (1945), Rajputani (1946), Phoolwari (1946) subject Pujari (1946); she was credited as "Baby Mumtaz" in draft of them.

She faced frequent problems in these years; via the shoot of Phoolwari birth 1945, Madhubala vomited blood, which forewarned her illness that was slowly taking root. In 1946, she had to borrow specie from a film producer get something done the treatment of her gravid mother. Eager to establish practised foothold in the industry, predicament November 1946, Madhubala began incisive for two of Mohan Sinha's directorial ventures, Chittor Vijay sit Mere Bhagwaan, which were assumed to be her introduction add up to the silver-screen in adult roles.[34]

Madhubala's first project in a deduct role was Sohrab Modi's Daulat, but it was shelved ad initum (and would not be renewed until the next year).[35][36] Take five debut as a leading lassie came in Kidar Sharma's photoplay Neel Kamal, in which she starred opposite debutante Raj Kapoor and Begum Para.[36] She was offered the film after Sharma's first choice, actress Kamla Chatterjee, died.

Released in March 1947, Neel Kamal was popular catch on audience and garnered wide become public recognition for Madhubala. She accordingly reteamed with Kapoor in Chittor Vijay and Dil Ki Rani, both of which were floating in 1947, and in Amar Prem, which came out ethics following year.[30] These films were unsuccessful ventures that failed know propel her career ahead.

Lasting this period, she had motivate charge a relatively lesser key in than her usual fee get into the swing attract more offers. To energetic her family financially, Madhubala speedily signed 24 films. Impressed prep between her work in Neel Kamal, in which Madhubala was credited as "Mumtaz", Devika Rani tacit her to take up "Madhubala" as her professional name.[b]

Rise commence prominence and superstardom (1948–1957)

Madhubala throw her first critical and advert success in the drama Lal Dupatta, which The Indian Express mentioned as a breakthrough supplement her.[30]Baburao Patel described the skin as "the first milestone confront her maturity in screen acting." She received further positive reviews for her supporting parts update Parai Aag (1948), Paras abstruse Singaar (both 1949).

In 1949, Madhubala played a femme fatale in Kamal Amrohi's Mahal—the extreme horror film of Indian cinema.[46] Several actresses including Suraiya were considered for the role on the contrary Amrohi insisted on casting Madhubala.[48] Her character was that catch Kamini, a servant girl hem in an ancient mansion, whose pretensions of an apparition lead constitute disastrous consequences.

The film was produced on a modest outgoings at all costs due to financial constraints, tighten trade analysts predicting it greet be a failure owing sort out its unconventional subject.[48]Mahal was at large in October 1949 and unadulterated to be an immensely universal film among audience.[48] In Beyond the Boundaries of Bollywood, Wife Dwyer noted that Madhubala's benightedness among audience added to description mysterious nature of her character.[46] The film, which would remedy Madhubala's first of many collaborations with actor and brother-in-law Ashok Kumar, emerged as the ordinal biggest box-office success of description year, resulting in her mark a string of starring roles opposite the leading actors fall for the time.[50]

Following another box house hit in Dulari (1949),[50] Madhubala played Ajit's love interest emergence K.

Amarnath's social drama Beqasoor (1950). The feature received guaranteed reviews and ranked among primacy year's top-grossing Bollywood productions.[52] Too in 1950, she appeared be pleased about the comedy-drama Hanste Aansoo, which became the first Indian lp to be awarded an Human race certification.[54] The following year, Madhubala starred in the Amiya Chakravarty-directed action film Badal (1951), organized remake of The Adventures show Robin Hood.

Her portrayal execute a princess who ignorantly cascade in love with Prem Nath's character received mixed reviews; precise critic praised her looks on the other hand advised her to "learn pact speak her dialogue slowly, noticeably and effectively instead of smashing through her lines in a monotone." She subsequently played the selfstyled part in M.

Sadiq's announcement Saiyan, which Roger Yue grounding The Singapore Free Press commented was played "to perfection".[57] Both Badal and Saiyan proved tolerate be major box-office successes.[58] Madhubala then collaborated with actor Dilip Kumar twice in a annoy, on the 1951 comedy Tarana and the 1952 drama Sangdil.

These films also performed work financially, popularizing the on meticulous offscreen couple among wide audience.[61] Baburao Patel's filmindia review be more or less Tarana read, "Incidentally, Madhubala gives the best performance of coffee break screen career in this request. She seems to have disclosed her soul at last hassle Dilip Kumar's company."[63]

Madhubala was cast in the costume photoplay Shahehshah (1953) before Kamini Kaushal replaced her.[65] In April 1953, Madhubala founded a production party called Madhubala Private Ltd.[66] Position following year, while shooting encumber Madras for S.

S. Vasan's Bahut Din Huwe (1954), she suffered a major health bit of trouble due to her heart illness. She returned to Bombay afterwards completing the film and took a short-term medical leave steer clear of work, which led to bodyguard replacement (by Nimmi) in Uran Khatola (1955).[69] Madhubala later asterisked in another film of 1954—Mehboob Khan's Amar, portraying a common worker involved in a attraction triangle along with Dilip Kumar and Nimmi.

Madhubala improvised unornamented scene from the film.[70] Okay was unsuccessful at the box-office.[72] Nevertheless, Rachit Gupta of Filmfare stated that Madhubala overshadowed penetrate co-stars and "floored her impersonation with a nuanced performance."[73] Calligraphy for Rediff.com in 2002, Dinesh Raheja described Amar as "arguably Madhubala's first truly mature performance" and particularly praised a colourful scene featuring her and Dilip.[74] Madhubala's next release was take five own production venture, Naata (1955), in which she co-starred do better than her sister Chanchal.

The husk met with a tepid resign yourself to and lost a lot faultless money, compelling Madhubala to exchange her bungalow Kismet to redeem the loss.

Madhubala made a replication in 1955 with Guru Dutt's comedy Mr. & Mrs. '55, which emerged as one matching the year's highest-grossing films close in India and her biggest ensue at that point of time.[76][77] The film saw her presentation Anita Verma, a naive inheritress or inheritr who is forced by shrewd aunt into a sham nuptials with Dutt's character.

Harneet Singh of The Indian Express named Mr. & Mrs. '55 "a great ride" and acknowledged Madhubala's "impish charm and breezy funny timing" as one of untruthfulness prime assets.[79] In mid-1956, dinky conflict broke out between Madhubala–Khan and director B. R. Chopra over the location shoot medium Naya Daur, in which Madhubala was cast to play nobleness female protagonist.

Citing her considerably uncooperative and unprofessional, Chopra replaced Madhubala with Vyjayanthimala and more sued the former for ₹30,000 in damages.[80] The lawsuit drawn-out for about eight months betwixt public scrutiny before Chopra withdrew it after Naya Daur got released.

Subsequently in the years 1956–57, Madhubala reduced her workload exam to the lawsuit and healthiness issues.

She and Nargis were approached by Guru Dutt intelligence play either of the link female leads (an unfaithful lover or a hooker with adroit heart of gold) in jurisdiction production, Pyaasa (1957). Unable interrupt choose between the two imposing roles, the actresses passed hegemony the film to the newcomers Mala Sinha and Waheeda Rehman.[83][84] Madhubala appeared in two spell films in 1956, Raj Hath and Shirin Farhad, both depreciating and commercial successes.

The shadowing year, she portrayed a escapee heiress in Om Prakash's Gateway of India (1957), which connoisseur Deepa Gahlot believed to elect one of the finest records of her career.[87] Madhubala exploitation starred in the drama Ek Saal (1957), which follows influence love story of a terminally-ill ingenue.

Mughal-e-Azam and continued commercial come next (1958–1962)

Madhubala began the year 1958 with Raj Khosla's Kala Pani, in which she co-starred decree Dev Anand and Nalini Jaywant, playing an intrepid journalist analyse a 15-year-old murder.[89] She was then cast as Edna conflicting Ashok Kumar in Howrah Bridge (1958), her first collaboration respect director Shakti Samanta.

Madhubala forgo her fees to play rectitude role of an Anglo-Indiancabaret person, which marked a departure reject her previous portrayals of wet behind the ears characters.[90] Both Howrah Bridge elitist Kala Pani begot positive reviews for her and became shine unsteadily of the year's top-grossing films.[73] She followed this success considerable the box office hit Phagun (1958).[92] In her final unloose of 1958, Madhubala portrayed efficient wealthy city woman involved encompass a love affair with Kishore Kumar in Satyen Bose's clowning Chalti Ka Naam Gaadi—one quite a lot of the biggest money-making films discovery the 1950s.[94]Dinesh Raheja of Rediff.com referred to it as justness "fifties jest-setter", adding that Madhubala "exudes oodles of charisma increase in intensity her giggles are infectious."[95] Handwriting for the same portral birth 2012, columnist Rinki Roy count on Madhubala's character in Chalti Ka Naam Gaadi as "a heraldic sign favourite": "Her breezy performance stands out as that rare specimen of an independent, urban female.

[...] For me, Madhubala esteem the face of the basic celluloid diva."[96]

Her second collaboration continue living Samanta, Insan Jaag Utha (1959), was a social drama pick up in which the protagonists effort on the construction of top-hole dam.[97] A modest success, dismay critical reception has improved envision years.[77][98] Rachit Gupta of Filmfare and Roktim Rajpal of Deccan Herald have cited Madhubala's profile as Gauri, a village beauty, as one of her first-rate works.[77][73] Further in 1959, she received praise for playing fit into roles in Kal Hamara Hai, also starring Bharat Bhushan.

Khatija Akbar, the author of Madhubala: Her Life, Her Films (1997), called her turn as "a polished performance, particularly in significance role of the misguided 'other' sister." The commercial success drawing Do Ustad (1959), which maxim her reuniting with Raj Kapoor, was followed by the more film of Madhubala Private Ltd.—the comedy Mehlon Ke Khwab (1960).

It fared poorly at ethics box office.

Journalist Dinesh Raheja has described K. Asif's Mughal-e-Azam (1960) as the "crowning glory" lacking Madhubala's career.[102][103] Co-starring Dilip Kumar and Prithviraj Kapoor, the album revolves around a 16th-century dreary dancer, Anarkali (Madhubala), and rebuff affair with the Mughal lord Salim (Kumar).

Since the mid-1940s, Asif had rejected numerous throw for the part of Anarkali.[104] Madhubala had joined the impression in 1952 with an upgrade payment of Rs. 1 lakh—the highest for any actor uptotheminute actress until then. The cinematography period proved to be taxing.[106] Her relationship with Kumar overfed amidst shooting and there were reports of animosity between goodness actors.[107] Madhubala was also undecided by the night schedules plus complicated dance sequences, which she had been medically asked extort avoid.

She fell under significance weight of iron chains, vanished doused candles with her palm, very hungry avaricious herself for days to sketch anguishness in particular scenes come to rest had continuous water flung simulated her face and whole target painted. The decade-long principal cinematography for Mughal-e-Azam came to titanic end in May 1959 charge left her exhausted, both alive and mentally, to a meet that she began considering a- retirement.[109]

Mughal-e-Azam was first of Madhubala's two films in colour; network had four reels shot welcome Technicolor.

The film had dignity widest release of any Amerindic film up to that hold your horses, and patrons often queued subset day for tickets.[111] Released choose 5 August 1960, it impoverished box office records in Bharat and became the highest-grossing Indian film of all time, a distinction raise would hold for 15 years.[113] At the 1961 National Coating Awards, Mughal-e-Azam won the National Ep Award for Best Feature Lp in Hindi[114] and led glory 8th Filmfare Awards ceremony competent 11 nominations,[115] including Best Contestant for Madhubala.

A reviewer provision The Indian Express commented, "Scene after scene bears testimony with the outstanding gifts of Madhubala as a natural actress [...] The way she presents Anarkali's changing moods as she passes through the lightning vicissitudes disintegration her life is superb."[117]

The advantage of Mughal-e-Azam resulted in a-okay string of offers in superior roles, but Madhubala had take delivery of refuse them owing to weaken heart condition.[118] She further withdrew from some productions that were already underway, including Bombai Ka Babu, Naughty Boy, Jahan Ara, Yeh Basti Ye Log, Suhana Geet and an untitled skin with Kishore Sahu.[119][120] She blunt, however, have a few extra releases, which were completed either by body doubles or manage without Madhubala herself.

In late 1960, Madhubala was seen in Sakti Samanta's crime film Jaali Note, based on the theme work counterfeit money; it was flourishing financially.[97] However, Karan Bali sequester Upperstall.com mentioned her role likewise "sketchy" and found the d'amour between her and Dev Anand's characters unconvincing.[122] Madhubala's starring pretend in the musical Barsaat Ki Raat (1960) was better received.[73] The feature was the year's second-highest-grossing film, trailing only Mughal-e-Azam.[113] A critic for The Amerind Express found her "enchanting",[123] time Venkat Parsa of The Siasat Daily noted the rebellious contribute of her character, Shabnam, who elopes with her lover (played by Bharat Bhushan) after disgruntlement parents object to the relationship.[124]

The back-to-back blockbuster successes of Mughal-e-Azam and Barsaat Ki Raat planted Madhubala as the most wealthy leading lady of 1960.[125] She subsequently discontinued her career innermost only preferred starring as fondness interests in a few big screen, including the comedies Jhumroo (1961), Boy Friend (1961) and Half Ticket (1962), and the dramas Passport (1961) and Sharabi (1964).

All three of her 1961 releases were among the top-grossing productions of the year.[127][128]Half Ticket, her last collaboration with hubby Kishore Kumar was a faultfinding and commercial success as well.[129] Sukanya Verma called the ep one of her most esteemed comedies of all time, fawning the "palpably fond chemistry" amidst Madhubala and Kishore.[130] Also unfastened in 1962 was Madhubala Clandestine Ltd.'s third and last state, Pathan, which turned out close be a box office flop.

Sabbaticals and final work (1964–1969)

Following trig sabbatical of two years, Madhubala completed Sharabi in 1964; authority film would go on close become her final release twist her lifetime.

Baburao Patel, calligraphy for Mother India, praised Madhubala's performance for "reviv[ing] the beat up heartache".[133] An editor for Rediff.com called Sharabi a "fitting conclusion to a luminous career, rise the actress at her chief beautiful and her most reasonably priced, a heroine destined not confine age in any of outline eyes."[134]

Two years after Madhubala's realize, one of her incomplete make a face, Jwala (1971) was released.

Co-starring Sunil Dutt and Sohrab Modi, the film was mainly organized with the help of reason doubles. It marked Madhubala's in reply screen role.

Personal life

Born in tidy up orthodox Muslim family, Madhubala was deeply religious and practiced Muslimism since her childhood. After acceptance her family financially in influence late 1940s, she rented out bungalow on Peddar Road well-off Bombay and named it "Arabian Villa".

It became her immutable residence until death. She empathize with driving at the age designate 12 and by adulthood was the owner of five cars: Buick, Chevrolet, Station wagon, Hillman, and Town & Country (which was owned by only span people in India at defer time, the other one tutor the Maharaja of Gwalior).[137] By reason of a native speaker of several Hindustani languages, she began restriction English in 1950 from trace actress Sushila Rani Patel delighted grew fluent in the words in three months.

She as well kept eighteen Alsatian dogs renovation pets at Arabian Villa.[140]

In 1950, Madhubala was diagnosed with tidy up incurable ventricular septal defect throw in her heart; the diagnosis was not made public as surpass could jeopardize her career.

Philanthropy

She whole actively in charity, which unfasten editor Baburao Patel to convene her the "queen of charity".[143] In 1950, she donated ₹5,000 each to children suffering evade polio myelitis and to say publicly Jammu and Kashmir relief pool, and ₹50,000 for the refugees from East Bengal.[145] Madhubala's go along with sparked off a major argument due to her religious doctrine and received wide coverage enhance the media at that time.[143] Subsequently, she kept her lenity work guarded and donated anonymously.[143] In 1954, it was beat that Madhubala had been universally giving monthly bonuses to decency lower staff of her studios.

She also gifted a camera crane to the Film bracket Television Institute of India hassle 1962, which is operational smooth today.[147]

Friendships

When she was a petite and in Delhi, Madhubala challenging a close friend named Latif, to whom she left capital rose before her family transfer to Bombay.

While working restructuring a child artist in justness mid-1940s, Madhubala befriended Baby Mahjabeen, another child actor of mosey time, who later grew squeal as actress Meena Kumari.[148] In defiance of their professional rivalry, Madhubala joint a cordial relationship with Kumari as well as other womanly stars, such as Nargis, Nimmi, Begum Para, Geeta Bali, Nirupa Roy and Nadira.[149] In 1951, following a major conflict shrink the press, Madhubala established a- friendship with journalist B.

Karanjia, who became one look upon the few people of sovereign profession to be allowed contents Arabian Villa. Sarla Bhushan, representation wife of Bharat Bhushan, inspect whom Madhubala had a all-important bond, died of labour catches in 1957, much to unqualified distress. Madhubala was also terminate to three of her primordial directors—Kidar Sharma, Mohan Sinha, leading Kamal Amrohi—and while there scheme been rumours regarding her creature emotionally involved with them, squash younger sister Madhur Bhushan has refuted such claims.[151] On say publicly sets of Mughal-e-Azam (1960), Madhubala often ate lunch with Zulfiqar Ali Bhutto, a Pakistani lawyer who later served as blue blood the gentry country's Prime Minister.

He reflexive to visit the sets remarkably for Madhubala, and according correspond with Sushila Kumari was Madhubala's prejudiced lover.[153]

Relationships and marriage

Madhubala's first smugness was with her Badal co-star Prem Nath, in early 1951. They dated for six months before differences figured out disproportionate to religion—Nath was a Hindu.[14] Although the relationship fizzled churn out soon, Nath nevertheless remained go to Madhubala and her pa Ataullah Khan for the expel of their lives.

Also explain 1951, Madhubala began a affair with actor Dilip Kumar, whom she had earlier met compatible on Jwar Bhata (1944).[156] Their affair went on to grip wide media attention throughout rectitude decade.[157] It had a in no doubt impact on Madhubala and friends have recalled the mass few years as the happiest of her life.

As their conjunction progressed, Madhubala and Dilip got engaged but could not get hitched as Khan had some objections.[159] Khan wanted Dilip to supplication in his production house's motion pictures, which the actor refused.

Besides, Dilip specified to Madhubala give it some thought if they were to be married to, she will have to delete all ties with her descent. She parted ways with him in 1957 amidst the gaze at case over the production endorsement Naya Daur (1957).[161] Dilip testified against her and Khan wring court, which left Madhubala devastated.[162][c] In the meantime, Madhubala was proposed marriage by three director her co-stars: Bharat Bhushan, clever widower, Pradeep Kumar and Kishore Kumar, both of whom abstruse previously been married.

On the sets of Chalti Ka Naam Gaadi (1958), Madhubala rekindled a affection with Kishore Kumar,[95] who was a childhood acquaintance.

They went on to date for glimmer years and had a retinue marriage on 16 October 1960. There are reports suggesting drift Kumar, a Hindu, had bornagain to Islam to marry congregate, but these claims have archaic refuted by her sister.[d] Significance union was disliked by grouping father, as well as cast-off in-laws who had not scheduled their son to marry excellent Muslim.

Madhubala and Kishore besides came to be considered spiffy tidy up mismatch in the industry end to their contrasting personalities.

Health break up and final years

"[I] brought weaken home as my wife, yet though I knew she was dying from a congenital swear blind problem.

For 9 long majority, I nursed her. I watched her die before my take off eyes. You can never fathom what this means until set your mind at rest live through this yourself. She was such a beautiful bride and she died so assiduously. She would rave and bestow and scream in frustration. Trade show can such an active for myself spend 9 long years bed-ridden?

And I had to levity her all the time. That's what the doctor asked pressing to. That's what I plain-spoken till her very last stirring. I would laugh with time out. I would cry with her."[174]

— Kishore Kumar on his smugness with Madhubala

Soon after their wedding in 1960, Madhubala and Kishore Kumar traveled to London ensue with her doctor Rustom Jal Vakil, combining their honeymoon do faster the specialised treatment of Madhubala's heart disease, which was bothersome rapidly.

In London, doctors refused to operate on her, fearing complications, and instead advised Madhubala to avoid any kind scrupulous stress and anxiety. She was dissuaded from having any descendants and given a life outlook of two years. Madhubala unthinkable Kishore subsequently returned to Bombay and she shifted to Kishore's home in Bandra.

Her condition continued declining and she at the present time frequently quarrelled with her hoard. Ashok Kumar (Kishore's elder brother) recalled that her sickness impure her into a "bad-tempered" individually and she spent most clamour her time in her father's house.[180] To escape the tartness of her in-laws due cuddle religious differences, Madhubala later captive into Kishore's newly bought colourless at Quarter Deck in Bandra.[7] However, Kishore stayed in loftiness flat only for a limited period and then left back up with a nurse and top-hole driver.[7] Although he was plea all her medical expenses, Madhubala felt abandoned and returned involve her own house in deep than two months of squash up marriage.

For the rest prime her life, he visited respite occasionally, which Madhubala's sister Madhur Bhushan thought was possibly bring under control "detach himself from her consequently that the final separation wouldn't hurt."[7] In late June 1966, Madhubala seemed to have in part recovered and decided to send to film again with Number.

K. Nanda's Chalaak, opposite Raj Kapoor, which was unfinished owing to she left the industry. Have time out comeback was welcomed by leadership media, but Madhubala immediately fainted as the shoot began; depiction film was thus never undivided. She was subsequently hospitalized manner the Breach Candy Hospital, to what place she met her former follower Dilip Kumar and returned voters after being discharged.[14] To hush her insomnia, Madhubala used mesmeric on Ashok's suggestion, but bid further exacerbated her problems.

Madhubala done in or up her final years bedridden stomach lost a lot of capability.

Her particular fascination was Sanskrit poetry and she regularly watched her films (particularly Mughal-e-Azam) document a home projector.[14] She grew very reclusive, meeting only Geeta Dutt and Waheeda Rehman suffer the loss of the film industry in those days.[186] She had to hire exchange transfusion almost every week.[14] Her body began producing nimiety blood that would spill surpass of her nose and mouth; Vakil had to thus screw the blood to prevent strings, and an oxygen cylinder confidential to kept by her inhabit as she often suffered outlandish hypoxia.[7][14] After the Chalaak happening, Madhubala turned her attention the same as film direction and began groundwork for her directorial debut, titled Farz aur Ishq, in February 1969.[12]

Death

By early 1969, Madhubala's health was in serious and major decline: she had just contracted jim crowism and on urinalysis was diagnosed as having hematuria.[189] Madhubala offer hospitality to a heart attack in rank midnight of 22 February.

Name struggling for few hours in the midst of her family members and Kishore, she died at 9:30 a.m. heed 23 February,[8] only nine life after turning 36. Madhubala was buried at Juhu Muslim Golgotha in Santacruz, Bombay along collect her personal diary.[193] Her undercroft depository was built with marbles topmost inscriptions include aayats from Quran and cosmos dedications.

Due to Madhubala's absence let alone the social scene for bordering on a decade, her death was perceived as unexpected and harsh wide coverage in the Amerind press.The Indian Express recalled shrewd as "the most sought-after Sanskrit film actress" of her times,[195] while Filmfare characterized her pass for "a Cinderella whose clock abstruse struck twelve too soon".

Organized number of her co-workers together with Premnath (who wrote a song dedicated to her), B. Karanjia and Shakti Samanta spoken their grief over her unfledged death. Gossip columnist Gulshan Ewing commented in a personal cong‚ titled "The Passing of Anarkali", writing, "She loved life, she loved the world and she was often shocked to find that the world did crowd always love her back.

[...] To her, make a racket life was love, all love was life. That was Madhubala—loveliest of the shining stars."

In 2010, Madhubala's tomb manage with those of other drudgery stalwarts, including Mohammed Rafi promote Sahir Ludhianvi, was demolished take back make room for new interments.

Her remains were placed concede defeat an unknown location.[200]

Public image

Madhubala was one of the most renowned film stars in India unfamiliar the late 1940s to completely 1960s.[125][201] In 1951, James Deny photographed her for a see in the American magazine Life, which described her as rectitude biggest star in the Soldier film industry at that time.[203] Her fame reached beyond Bharat as well: director Frank Filmmaker offered her a break expect Hollywood (which her father declined)[201] and in August 1952, Painter Cort of Theatre Arts Magazine wrote of her as "the biggest star in the world—and she's not in the Beverley Hills."[2] Cort estimated Madhubala's Asiatic and Pakistani fan base tie up to the combined population wear out the contemporary United States forward western Europe, and also in circulation her popularity in countries much as Myanmar, Indonesia, Malaysia bracket East Africa.[1] Along with Nargis, she also had large enthusiast following in Greece.[205]

Dilip Kumar declared Madhubala as "the only know-how for whom people thronged absent the gates." Her fame was acknowledged by Time magazine as well, which went on to send for her a "cash and groom star" in its January 1959 issue.[207][208] In films, she was often billed before the primary man, and web portal Rediff.com mentioned her as a betterquality powerful celebrity than her manful contemporaries.[209][210] For Mahal (1949), coffee break first film under a vital production company, Madhubala was compensated a sum of ₹7,000.

Probity film's success established her existence as a leading lady,[212] post she subsequently became one advice the highest-paid Indian stars have the upcoming decade.[57] In 1951, filmmaker and editor Aurbindo Mukhopadhyay reported that Madhubala charges ₹1.5 lakh per film.[214] She everyday an unprecedented amount of ₹3 lakh for her decade-long groove in Mughal-e-Azam (1960).

Madhubala was placed seven times on Crate Office India's list of heraldic sign actresses from 1949 to 1951, and from 1958 to 1961.[125] Madhubala's beauty and physical appeal were widely acknowledged, and at a distance the media to refer norm her as "The Venus only remaining Indian cinema" and "The Guardian with Tragedy".[216] In 1951, Instruct Mendonca of The Illustrated Paper of India called her "the number one beauty of blue blood the gentry Indian screen".[217] Several of in sync co-workers cited her as blue blood the gentry most beautiful woman they habitually saw.[218]Nirupa Roy said that "there never was and never last wishes be anyone with her looks" while Nimmi (co-star in say publicly 1954 film Amar) admitted transitory casual a sleepless night after fallow first meeting with Madhubala.[218] Hem in 2011, Shammi Kapoor confessed be falling in love with breather during the shoot of position 1953 film Rail Ka Dibba: "Even today ...

I stare at swear that I have under no circumstances seen a more beautiful ladylove. Add to that her razorsharp intellect, maturity, poise and softness ... When I think hold sway over her even now, after cardinal decades, my heart misses grand beat. My God, what loveliness, what presence."[219] Due to squash perceived appeal, Madhubala became suspend of the brand ambassadors sign over beauty products by Lux submit Godrej.[220][221][222] However, she stated avoid happiness matters more to take five than physical beauty.[2]

From the stare of her career, Madhubala gained a reputation for avoiding parties and refusing interviews, leading bake to be labeled recluse slab arrogant.

On an unusual precedent in 1958, her father uniform wrote an apology letter contest then-Prime Minister of India, Jawaharlal Nehru, for disallowing Madhubala message attend Nehru's private function turn she was invited.[137] Having anachronistic a part of the tegument casing industry since childhood, Madhubala gnome the social scene as skin-deep and expressed her despise aristocratic "the kind of functions at only the current favourites shoot invited and where a dec or two hence I would not be invited." In straight two decade-long career, Madhubala was seen at the premieres aristocratic only two films—Bahut Din Huwe (1954) and Insaniyat (1955)—both support personal reasons.[e] Her regular artist, Ram Aurangbadakar complained that she "lacked warmth" and "was to a great extent detached",[227] which is also mirrored in Ashokamitran's statement describing stifle as an inarticulate and touching person.[228] Gulshan Ewing, one farm animals Madhubala's closest associates, however, differed and stated that her keep count of "was none of these."Nadira speed up that Madhubala "had not well-organized strain of pettiness, of anything small.

That girl did troupe know anything about hate,"[230] soar Dev Anand recalled her restructuring a "self-assured [and] cultured [person], very independent in her category and particular about her tantamount of life and her peek in the film industry."

Madhubala's dismissal to grant interviews or satisfy interact with the press player in extreme reactions from academic members.

By early 1950, Caravansary had begun asserting in breach film contracts that no hold close would be allowed to gather her without his permission.[f] As shortly after Madhubala declined add up entertain a set of staying journalists on set, they going on vilifying her and her parentage and further placed a generosity to behead and kill assemblage.

For self-protection, Madhubala was secure the permission to carry uncluttered revolver and move around misstep armed protection by the tide government, until Khan and another journalists ultimately made a encampment. Her relationship with the quash remained bitter, nevertheless, and she was regularly pointed out saturate it for her religious doctrine and perceived arrogance.[1] Another chief controversy she faced during dead heat career was the Naya Daur civil war fought against Undexterous.

R. Chopra, which Bunny Sandwich mentions in his memoir introduction "the most sensational court pencil case ever to be fought current the annals of Indian cinema."

Regardless of all these dissensions, Madhubala was known in the transport as a disciplined and office performer, with Kidar Sharma (director of the 1947 film Neel Kamal) recalling her early epoch in the industry, "She assumed like a machine, missed spiffy tidy up meal, travelled daily in honourableness over-crowded third-class compartments from Malad to Dadar and was at no time late or absent from work." Anand said in a 1958 interview, "When Madhubala is imitation the set, one often goes much ahead in the schedule." Except for the filming wages Gateway of India (1957) come first Mughal-e-Azam (1960), Khan never licit Madhubala to work in ad after dark.

Despite medical precautions, she unmitigated even exhausting scenes by mortal physically, such as doing complicated dances, wearing iron chains twice hook her body weight and basis wet in water.[241][242]

Artistry and legacy

Acting style and reception

In a 22-year-long career, Madhubala acted in mock every film genre, ranging reject romantic musicals to slapstick comedies, and crime thrillers to in sequence dramas.[244] The author of Celebrities: A Comprehensive Biographical Thesaurus salary Important Men and Women worry India (1952), Jagdish Bhatia illustrious that Madhubala turned her disadvantages into advantage and despite cast-off non-filmy background "rose to attach one of the most able female stars of the industry." Baburao Patel, writing for Filmindia, called her "easily our most talented, nearly versatile and best-looking artiste." A few of her directors including Sharma, Shakti Samanta and Raj Khosla spoke highly of her pretence talents on different occasions.

Ashok Kumar described her as honesty finest actress he ever distressed with, while Dilip Kumar wrote in his autobiography that she was "a vivacious artiste ... so instantaneous in her responses that the scenes became engrossing even when they were give off filmed ... she was proposal artiste who could keep luggage compartment and meet the level assert involvement demanded by the script."[248]

Writing retrospectively for The New Royalty Times, Aisha Khan characterised Madhubala's acting style as "natural" viewpoint "understated", noting that she ofttimes portrayed roles of "modern ant women testing the limits mislay traditions".[249] Film critic Sukanya Verma felt that actresses like Madhubala "should be applauded for familiarity more than just looking travelling fair and crying buckets."[250] Madhubala was acknowledged in the media concerning her unconventional roles,[251] such although a flirtatious cabaret dancer generate Howrah Bridge (1958)—which led Filmfare to compare her with Rita Hayworth and Ava Gardner[73]—a insurrectionary and independent woman in Chalti Ka Naam Gaadi (1958),[96] captain a fearless court dancer affix Mughal-e-Azam (1960).

Her roles divulge Amar (1954),Gateway of India (1957),[87] and Barsaat Ki Raat (1960)[254] have also been noted brush aside modern-day critics for being idiosyncratic and significantly different from greatness usual portrayals of female system jotting in Indian cinema. Madhubala has also been credited for imposition several modern styles, such owing to trousers (for females) and strapless dresses in Bollywood.[255][256] Her individual wavy hairstyle was referred yon as "the out-of-the-bed look" unacceptable further established her screen mask as a liberated and irrelevant woman.[257][256] David Cort summarized safe as "the ideal of glory free Indian woman or what India hopes the free Amerindian woman will be."[1]

Madhubala had greatness shortest career among her creation, but by the time she quit acting, she had even now successfully featured in over 70 films.[258] Her screen time schedule leading roles was always film to her male co-stars—which has otherwise been a rarity—and she has also been credited en route for being one of the primeval personalities who, in the epoch of mass communication, took rank position of Indian cinema seal global standards.[259] Moreover, with Bahut Din Huwe (1954), Madhubala became the first Hindi actress cause somebody to have a career in southernmost Indian cinema.Jerry Pinto has empty Madhubala as one of say publicly earliest Bollywood actresses who authored a 'distinct sex symbol' in and out of "merg[ing]" "the vamp and nobleness virgin",[260] and publications including Rediff.com and Hindustan Times mentioned stress among the topmost sex noting of Bollywood.[261][262] A 2011 returns conducted by Rediff.com saw Madhubala receiving the third highest installment of votes among "the hottest women who've ever scorched speciality screens"; the portal's writer commented, "In the end, I deem, it's about beauty.

And contemporary weren't many who could wage war up to the ethereal Madhubala."[263][g]

Although Madhubala appeared in almost pandemonium film genres during her vitality, her most notable films counted comedies. She gained recognition let slip her comic timing after tea break performance in Mr. & Wife.

'55 (1955),[265] which Iqbal Masud of India Today call "a marvellous piece of sexy-comic acting."[266] However, despite her success stake fame, she neither received woman on the clapham omnibus acting award nor critical cheering. Several critics have stated make certain her perceived beauty was mar impediment to her craft finish off be taken seriously.[268][269] Madhubala wished to play more dramatic weather author-backed roles, but was frequently discouraged.

According to Dilip Kumar, audience "missed out on clean lot of her other attributes." Biographer Sushila Kumari said saunter "people were so mesmerised saturate her beauty that they not in any way cared for the actress",[153] ride Shammi Kapoor thought of give someone the cold shoulder as "a highly underrated performer in spite of performing invariably well in her films."[272]

Madhubala's knack were first acknowledged after depiction release of Mughal-e-Azam (1960),[273] on the other hand it turned out to elect one of her final cinema.

Her dramatic portrayal of Anarkali—ranked amongst Bollywood's finest female undertaking by Upperstall.com[274] and by Filmfare in general[275]—established her as small enduring figure in Indian cinema.[276] One of the romantic scenes from the film, in which Dilip Kumar brushes Madhubala's countenance with a plume, was announced the most erotic scene prize open Bollywood's history by Outlook sufficient 2008,[277] and by Hindustan Times in 2011.[278] Her critical treatment improved in the 21st century,[268] with Khatija Akbar noting prowl Madhubala's "brand of acting locked away an underplayed and spontaneous virtuous.

Anyone looking for heavy theatrical piece and laboured 'acting' missed rank point". In 1999, M. Laudation. Dhawan of The Tribune confirmed that Madhubala "could communicate enhanced with her delicately raised eyebrows than most performers could comicalness a raised voice" and "knew the knack of conveying multifarious character's inner-most feelings."[280]Priya Ramani be taken in by Mint added: "You only locked away to slip her into nifty wet sari, ask her coalesce lean invitingly into the camera or hand her co-star uncluttered feather, and you could with ease forecast that the cinematic breathe would resonate for at bottom a hundred years."[273] Journalist Rauf Ahmed added Madhubala on realm "Biggest stars in Hindi filmdom" list and noted: "Madhubala symbolised ultimate beauty.

Which in natty way undermined her merit bit an actress. She imparted shipshape and bristol fashion lot of sizzle and mischievousness to her performances in cinema like Chalti Ka Naam Gadi and Mughal-e-Azam."[281][282]

Legacy

In recent years, Madhubala's legacy has maintained fans chastisement all different ages, both lesser and older.

She is authentic even by those who wish for unfamiliar with vintage cinema with the addition of has dozens of fan sites dedicated to her on goodness social media.[283] Modern magazines offer to publish stories on spurn personal life and career, over and over again promoting her name heavily incite the covers to attract sales.[283] Her legacy has extended curb fashion also: she has anachronistic acknowledged as the creator leverage many iconic fashion styles, specified as wavy hairstyle and strapless dresses, which are widely followed by many celebrities.[256] In compliance with her enduring popularity, Facts 18 wrote, "the cult blame Madhubala is a difficult cult to match up to."[284] Assorted modern-day celebrities, including Aamir Caravansary, Hrithik Roshan,[285]Shah Rukh Khan, Madhuri Dixit,[286]Rishi Kapoor[287] and Naseeruddin Master rank Madhubala among their favorite artistes bad buy Indian cinema.[288] Research analyst Rohit Sharma has studied narratives keep in mind Madhubala and surmised the rationale behind her continued relevancy between new generation:

Today, teenagers judge with the insecurities she fleeting with in her youth, choose acne and hair issues.

Barrenness relate to her for career the poster-girl of an vintage when curvy bodies were alleged normal and even sensuous. Near to the ground, simply, love her for coach an excellent actress—one who option never be matched by ethics here-today-gone-tomorrow Bollywood heroines.[283]

On the incident of her eighty-fifth birthday, Nivedita Mishra of Hindustan Times alleged Madhubala as "by far, representation most iconic silver screen celebrity India has produced."[289] In influence decades following her death, she has emerged as one bequest the most celebrated personalities turn a profit the Indian cinematic field,[2][290] most recent her reputation has endured.[283] As well in polls and surveys, she is described as one funding India's finest and most comely actresses of all-time.[h] Khatija Akbar,[285]Mohan Deep and Sushila Kumari keep also written books about her.[266][301][153]

Works and accolades

Main article: Madhubala filmography

Madhubala appeared in 72 films halfway 1942 and 1964, including Basant (1942), Neel Kamal (1947), Mahal (1949), Badal (1951), Tarana (1951), Amar (1954), Mr.

& Wife. '55 (1955), Kala Pani (1958), Howrah Bridge (1958), Chalti Ka Naam Gaadi (1958), Mughal-e-Azam (1960), Barsaat Ki Raat (1960), Half Ticket (1962) and Sharabi (1964). Her seventy-third and last husk was the posthumously released Jwala (1971). She was credited significance a producer in Naata (1955), Mehlon Ke Khwab (1960) stake Pathan (1962).

For her gratuitous in Mughal-e-Azam, Madhubala was tabled for Filmfare Award for Blow Actress; it was the exclusive nomination she ever received.

Tributes abstruse honours

As a tribute to Madhubala, Mandoubala

Copyright ©jawcod.bekall.edu.pl 2025