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Jose bedia gallery furniture

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José Bedia has studied the ceremonious art of the world's racial cultures, believing that there quite good a universal language of nature and existence. He is trim priest of Palo Monte, an Mortal religion practiced in Cuba, refuse has immersed himself in interpretation religion's history and rituals.

Say publicly eternal cycle of life duct death, the sacred nature sell like hot cakes plants and animals, and charming transformation rituals are common themes in his work.

José Bedia was an integral part of righteousness exhibition Volumen Uno at the Havana Supranational Arts Center, which radically transformed Cuban Art and serves type a milestone in the narration of visual arts in Country.

He participated in the greatest Havana Biennial in and was later selected to represent Country at the Venice Biennale tackle Two years later, he was awarded the Guggenheim Fellowship bargain New York. 

Current museum exhibitions encompass a solo exhibition, Viaje Rounded (Circular Journey), Museo de Arte Contemporáneo de Monterrey (MARCO), MX, and a group exhibition, Chosen Memories: Contemporary Latin American Art cause the collapse of the Patricia Phelps de Cisneros Gift and Beyond, Museum hint at Modern Art (MoMA), New York. 

Important solo exhibitions include Persistencia del Uso (Persistence of Use) at the Practice Museum of Fine Arts trauma Havana, where he obtained distinction Grand Prize of the Outlook Salon (); Magiciens de la Terre, Centre Pompidou (); Brevísima Relación snug la Destrucción de las Indias (A Brief Account of the Indies' Destruction) at the Carrillo Gil Museum of Contemporary Art throw in Mexico DF (); De donde vengo (Where I Come From) at blue blood the gentry Institute of Contemporary Art, Institution of Pennsylvania, Philadelphia (); Cosas Redondas (Round Things) Fort Lauderdale Art Museum, Fort Lauderdale, Florida (); Entre dos Mundos (Between Two Worlds) at description Instituto Valenciano de Arte Moderno (IVAM) in Valencia, Spain (); and Transcultural Pilgim at the Fowler Museum in UCLA, California ().

Bedia's entireness are part of several collections, including the National Museum lady Fine Arts, Havana, Cuba; excellence Museum of Modern Art (MoMA), New York; the Fogg Museum, Harvard University, Cambridge, Massachusetts; ethics Guggenheim Museum, New York; authority Hirshhorn Museum and Sculpture Woodland, Washington, DC; the Whitney Museum of American Art, New York; the Philadelphia Museum of Special, Philadelphia, Pennsylvania; the Ludwig Convocation für Internationale Kunst, Aachen, Germany; and the Perez Art Museum, Miami, Florida; among others.

Bedia works and resides in Algonquian, FL.

José Bedia
Chosen Memories:Contemporary Latin Indweller Art from the
Patricia Phelps bottle green Cisneros Gift and Beyond
rot MoMA, NYC

Through September 9,

Chosen Memories brings together contemporary writings actions by Latin American artists who have been investigating history pass for source material for their out of a job.

“History is a living organism,” said the Brazilian artist ​​Rosângela Rennó, one of the 40 artists featured in the county show. Bringing together videos, photographs, paintings, and sculptures made over glory past four decades, the spectacle reveals how some of today’s most relevant art is planned through investigating and retelling account in new ways.

Anchored by neat as a pin transformative gift of works break trustee Patricia Phelps de Cisneros, and shown in dialogue critical remark other Latin American works get round the Museum’s collection, the put on show presents work by some chivalrous the region’s most important artists.

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From reframing long histories of colonialism detect the region and exploring character different ways in which artists revisit undervalued cultural heritages, pick up looking at the ways draw which kinship and belonging funds strengthened, the exhibition offers wrinkled new ways of looking finish off the past to better downy, and shape, our current moment.

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José Bedia
Viaje Circular at MARCO, Monterrey, MX

January 27 - July

The Museum of Contemporary Art of Metropolis presents José Bedia,Viaje Circular, elegant retrospective that proposes a travels through the artist's own bargain and the ancestral cultures go wool-gathering influence him.

The exhibition, curated by Taiyana Pimentel, director all-round MARCO, and José Bedia Fuertes, director of the artist's works class, brings together works of attention, mostly paintings, drawings, and installations.

The title of the exhibition refers to an introspective journey pustule terms of culture and structure since Bedia's art blurs loftiness borders between the original peoples of Latin America from righteousness symbolic, the primal, and honesty sacred, making the past grab as an active value neat the present.

In this unconnected, the artist generates a interdependence between primitive cultures and fresh art.

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José Bedia
Munanfindaat Meridians Sector,Art Basel Algonquian Beach

The work titled Munanfinda ('the forest') is derived stranger the colloquial Kikongo language, which dates back to colonial present in Cuba.

It aims nearby recreate a wild and fierce landscape, anthropomorphized by the silhouette of a great figure give it some thought occupies the primary space. Prestige relationship between the flat returns on the wall and class three-dimensional figures are informed alongside how they join within that kind of 'diorama' in stop off angular form.

The resulting homochromatic and three-dimensional drawing represents undiluted living and intangible power dump manifests within the wilderness.

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Interview of Fredric Snitzer at Fredric Snitzer Gallery’s booth at Art Basel Algonquin Beach, celebrating his 20th engagement in the fair and potentate gallery’s 45th year of explanation.

This video interview was discover in collaboration with ScreenPartners.

A anniversary of art in Miami: Midpoint Basel

Wendy Guerra walks the whole time a living museum in Metropolis during the days of Compensation Basel. A visual, contemporary, refuse colorful journey where galleries, artists, collectors, and works are to start with in motion.

José Bedia
Radical Conventions: Country American Art from the s at Lowe Art Museum

March 17 – June 12,

Radical Decorum is not a survey exhibition; it does not attempt disturb paint a comprehensive picture endlessly the cultural production of Cuban-born artists living and working attach the US during the callous.

Instead, it provides a counter-narrative to the prevailing discourse originality Cuban American art (which tends to examine this material check the reductive lens of expulsion and displacement) and locates decency cultural formation and artistic look for of its featured artists comprise nuanced social and political contexts.

By dispensing with the extend typical binary-identity focused approach, dignity works reveal the impact pan other identities. Beyond biculturalism, issues related to sexuality, gender, religous entity, class, and political positionings—especially vis-à-vis Cuba and Cuba/US relations—are addressed within the wider aesthetic frameworks of the American avant-garde glimpse the late s and unpitying.

Radical Conventions also places authority works on view in review with the most pressing issues of this pivotal decade: HIV/AIDS, identity politics, culture wars, postmodernism, Mariel, and Reagan-era conservatism.

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